The life and thoughts of an Enlightenment philosopher who suffered from chronic restlessness. A detailed biography which places special emphasis on his most influential texts and commemorates his tercentenary birthday. Using "Les confessions" as the leitmotif, the film alternates between readings by actor Roger Jendly, encounters with international experts and musings on Rousseau's travel destinations. Its manner does not conform to today's tempo, but rather seems to follow the rhythm of a thought as it unfolds, resulting in an inevitably dense portrait on the extraordinary life of one of the leading French philosophers of the Enlightenment.

作为法国影史最伟大的艺术家之一，雅克·德米一生只执导了13部长片，但《瑟堡的雨伞》《柳媚花娇》《驴皮公主》这些作品，证明了他不可撼动的大师地位。本片由法国电影资料馆馆长弗雷德里克·博诺编写，是对德米电影生涯的首次全面呈现。

作为法国影史最伟大的艺术家之一，雅克·德米一生只执导了13部长片，但《瑟堡的雨伞》《柳媚花娇》《驴皮公主》这些作品，证明了他不可撼动的大师地位。本片由法国电影资料馆馆长弗雷德里克·博诺编写，是对德米电影生涯的首次全面呈现。

年仅19岁的亚当（杰克·奥康奈尔 Jack O'Connell 饰）堪称白痴废柴界的灵魂人物，他老娘搭上黑帮头目皮特（彼得·穆兰 Peter Mullan 饰），百无一用的无业青年亚当也顺带帮后爹干点儿上不了台面的脏活。可是黑社会对他来说也不那么好混，亚当撞爆皮特的汽车，气的后爹火冒三丈。无奈之下，皮特只得再给亚当安排一项工作，帮助冷漠的独行杀手罗伊（蒂姆·罗斯 Tim Roth 饰）担任司机兼助手。面对眼前这个放风、杀人、肢解全部无能且意外状况不断的“黑二代”，罗伊彻底没了脾气。　　旅途中，两个有着不同背景的人似乎关系慢慢拉近，但亚当却并不知晓罗伊此行的秘密使命，他们的命运也朝着不可预测的方向展开……

年仅19岁的亚当（杰克·奥康奈尔 Jack O'Connell 饰）堪称白痴废柴界的灵魂人物，他老娘搭上黑帮头目皮特（彼得·穆兰 Peter Mullan 饰），百无一用的无业青年亚当也顺带帮后爹干点儿上不了台面的脏活。可是黑社会对他来说也不那么好混，亚当撞爆皮特的汽车，气的后爹火冒三丈。无奈之下，皮特只得再给亚当安排一项工作，帮助冷漠的独行杀手罗伊（蒂姆·罗斯 Tim Roth 饰）担任司机兼助手。面对眼前这个放风、杀人、肢解全部无能且意外状况不断的“黑二代”，罗伊彻底没了脾气。　　旅途中，两个有着不同背景的人似乎关系慢慢拉近，但亚当却并不知晓罗伊此行的秘密使命，他们的命运也朝着不可预测的方向展开……

Magical 　　Barrier is comparable to Last Year at Marienbad with its non-linear development, mysterious characters and inexplicable mis-en-scene. It also shares the guerrilla film-making style of the French New Wave. It is one of Skolimowski's best. 　　The film follows a newly graduated medical student in his pursuit of an unattainable woman. He follows her through the streets of 60s Poland where spontaneous dance parties and candle-light rituals erupt. 　　A dream-like meditation on post-industrial life in Communist Poland. Filled with exquisite, unforgettable images, this masterpiece will hopefully find its way onto DVD soon.

Magical 　　Barrier is comparable to Last Year at Marienbad with its non-linear development, mysterious characters and inexplicable mis-en-scene. It also shares the guerrilla film-making style of the French New Wave. It is one of Skolimowski's best. 　　The film follows a newly graduated medical student in his pursuit of an unattainable woman. He follows her through the streets of 60s Poland where spontaneous dance parties and candle-light rituals erupt. 　　A dream-like meditation on post-industrial life in Communist Poland. Filled with exquisite, unforgettable images, this masterpiece will hopefully find its way onto DVD soon.

当一名澳大利亚男子得知他曾经爱过并认为已经死去的女人还活着并被无情的歹徒俘虏时，他平静的生活被打破了。现在，为了对抗这个危险的犯罪组织，他必须寻找盟友并冲进一个充满暴力的世界，以在这个坚韧不拔的现代暴力童话中拯救他一生的挚爱

女人和女孩一直需要面对各种障碍，但这从未阻挡过我们前进的脚步。我们牺牲，战斗， 争取，获得成功，被打败，然后再次站起来。在争取公平的比赛中，为了赢得我们的权利，我们跨越了无数的障碍。女性曾经没有投票权，我们曾被排斥在教育体系之外，我们努力工作却无法获得和男性同等的酬劳，我们没有在政界发声的机会。第一届奥运会甚至不允许女性参与。不过这些都过去了。现在仍有许多巨大的障碍等待我们去跨越，比赛仍在进行。我们生命中的每一年，每一天都在比赛，但我们最终会抵达终点，没有人能阻挡我们。

Transparencies: seeing through, being able to glimpse the “cinema” on foot, or carried. Eye and hand become movement, claws and projection. On the decomposition of nitrate material, its transformations (of a fragment of war that belonged to Luca Comerio, shot by him in 1916 on Mount Adamello). Constantly changing physical appearance. There remain the supports torn from the film: perforations, collages, fluorescences, faded colors, until the original image contained in the photogram is completely erased. Erasure of the image of war; relationship between nitrate and gunpowder. Metamorphoses of “running” cinema into cinema of sticky, gummy, explosive matter. Last state of cinema: becoming an incendiary explosive bomb of memory.